Lotus Jasper is associated to the heart chakra. It is also said to help in relieving grief. Lotus Jasper brings peaceful endings to situations and relationships. It helps you to relax even in difficult situations.
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Every time the delete button is clicked, an 'error' message pops up. Paste your LastPass data: right-click in the text field and choose Paste. To only import personal items, turn off 'Import items in shared folders'. If you’re importing personal data, choose the Personal or Private vault. Choose the vault you want to import your data into. Master Password recovery is not applicable for UW-Madison LastPass Enterprise accounts using NetID Login. I've also tried to delete my account in hopes that I can just start fresh, but the account deleting process seems to be broken. Click your name in the top right and choose Import, then click LastPass. You will need to re-save your passwords and secure notes. This will preserve your LastPass account, but erase the contents of your LastPass Vault. If you forget your password and do not have a recovery option set, we can only delete your account and provision a new account. I've followed the instructions to delete the account with and without the master password, but I'm still unable to do so. If you have never logged into LastPass via the browser extension, LastPass administrators will not be able to reset your master password and you may need to reset your account ( ). Can't delete LastPass account I've been trying to delete my LastPass account for a couple of hours now, with no success at all. You must have previously logged into LastPass using the browser extension. (Do not contact the vendor's (LastPass) support team directly as they will not be able to reset your password, only UW-Madison LastPass administrators have this capability) Click Permanently delete my LastPass account now in the email. At this point, LastPass will send you an email with a link to delete the account. When you find yourself on your LastPass dashboard, take a look to the left and find Advanced Options on the left. You can continue to use LastPass until the end of your service. If you are unable to recover your LastPass Master Password using self-service recovery options and you are a UW-Madison LastPass Enterprise user, contact the DoIT Help Desk to request a Master Password reset. A new window will appear, prompting you to type in the email address associated with your account. Click on Advanced Options on the sidebar, then choose Export. Log into LastPass and cancel your account from the settings menu. In practice ASP is good for normal editing but I prefer to revert to PSP if it is difficult. Whether using DPP or ASP, I often pass images to PSP for final processing - this is automated and quick and easy.Īs someone said, ASP is best for RAW and PSP is best for Editing. It may be better with X6 and you need to compare with your own camera's images. I think PSP Raw Conversion is worse and up to now I have avoided it. I use ASP for Raw Conversion of my Olympus files although I tend to use Canon's DPP for my important EOS 100D images. In practice I use both programs, each of which I like. I started with PSP and took up ASP about 2 years ago. I agree with Mark on the sentiment and detail about AfterShot Pro. (I was also going to post this in the ASP section, but it appears locked! ) I guess the real question is, if I've got PSP, is ASP redundant? PSP? I've had PSP for a while, and I'm wondering if Aftershot Pro has anything truly different/better than PSP. Ra圜 wrote:Hope I'm not opening up a can of worms.Ĭan anyone provide an educated comparison of Aftershot Pro vs. There are better, more professional programs available but this one does very well what I need at a very low price. I'm a big fan of ASP and use it extensively. There are many plug-ins available allowing processing beyond the basic program. The catalog has great capabilities for searches using a variety of parameters. I use ASP to view my images when I first download, go through a culling process and then use it to move them to the final directory. After creating a catalog I can search through my offsite collection and decide if I want to pick something from the hard drive. I store most of my image on a hard drive which is normally not connected. It has excellent batch processing capabilities for tasks such as renaming file, moving and copying them, or creating different versions, jpg or TIFF.Īlthough it is not a full-blown digital asset management (DAM) program it has excellent cataloging capabilities. I use PSP on some images in cases where PSP has editing capabilities that ASP does not. The conversion quality is very good and I use it for 99% of my conversions from raw. It is extremely fast and has extensive editing options. I quickly became a big fan of the program - I shoot only Raw now and ASP is the program I use all the time for adjusting the raw files, creating jpgs and cataloging.ĪSP, as others have said, is primarily a non-destructive raw editing program. I was invited to participate in the Beta testing for AfterShot Pro which meant that I spent enough time to learn it and its quirks. I'd been using PSP for a few years and really liked it but found the Raw conversion quality terrible (it's somewhat better now.) My camera software for Pentax, powered by SilkyPix produced good quality but I did not like the interface. At the time I could not get the hang of Bibble and did not like the others well enough to go there. When I started shooting Raw I tried a number of inexpensive or free programs, among them RawTherapee, ACDSee and Bibble. As with all software, a product will appeal to one person and not at all to another. (CSound) (free) Partikkel csound opcode desigedn by Oeyvind Brandtsegg, implemented by Thom Johansen and Torgeir Strand Henriksen, with a vast array of parameters to tweak. (Mac-PPC only) Real-time granular synthesizer, OSX-PPC updated version of the Real-Time Granular Synthesizer for Mac OS8. (Win/Mac) (free trial) : Real-time improvisation software with 6 loop players each with granular synthesis and many other effects. (Win/Mac/*nix) (free) Developed by Tim Opie using jMusic, it runs online, if you have java enabled.(does anyone now?) (Win) (free) Developed by Nicolas Fournel (currently offline - hoping it will be back soon) AudioPaint can therefore be considered as a massive additive synthesizer. The program reads JPEG, GIF, PNG and BMP files and translates each pixel color and position into frequency, amplitude and pan information. AudioPaint generates sounds from pictures. (Win) (free) Developed by Nicolas Fournel. The classic painting functions take a whole other dimension, as they create melodies and rhythms in the musical domain. The concept behind Blip is to create innovative sounds and loops by drawing with the usual graphic tools (pencil, airbrush, line…). (Win/Mac) (free) Developed by Rajmil Fischman, real-time asynchronous granular synthesis of four seperate sound buffers. (Win) (free) Developed by Rajmil Fischman, the AL.gorithmic Compositional Environment in conjunction with ERWIN applies the solutions of Schröedinger’s equation for an atomic potential with radial symmetry (a well-known equation from Quantum Mechanics) to the creation of granular clouds. MacPOD is named in honour of the original POD GSAMX system developed by Barry Truax at Simon Fraser University. (Win/Mac) (free) MacPOD/WinPOD by Chris Rolfe and Damián Keller generates a wide range of effects from time compression/expansion to richly varied spectral transformations. (Win/Mac and M4L plugins) (Lite version free) Microsound Prototypes of Granular Synthesis (Glisson, Pulsar, Grainlet, Trainlet) by apeSoft (Win/Mac and M4L plugins) (Lite version free) Asynchronous sampled/live granular synthesis by apeSoft (Win) (free) Developed by Rasmus Ekman, it can granulate 8 streams simultaneously. (CSound) (free) Chaosynth by Eduardo Miranda uses cellular automata (CA) to control the generation of large number of individual sonic events using a GUI in CSound. EC is an interactive real-time program, with many novel features, including modulation of synthesis parameters, multiple sound file input, and variable-Q filtering on a grain-by-grain basis. (Mac-PPC only) (free) Written by David Thall in consultation with Curtis Roads. (See Roads (2001) Sound Composition with Pulsars for more information) It generates sound particles called pulsars. (Mac-OS9 classic only) (free) Developed by Alberto de Campo and Curtis Roads. Cloud Generator synthesizes granular sounds in units called "clouds" and also "granulates" stereo sound files. (Mac-OS9 classic only) (free) Developed by Curtis Roads and John Alexander. Standalone Granular Synthesis Applications: Sound Particles Density 2022 turn single sound into small and large ensembles.If You know of any other software that needs to be added to the list, just Email me, and I will put it here. Download Sound Particles Density latest full version offline complete setup for Windows 32-bit and 64-bit. The territory was Madison Street on the north to Jackson Boulevard on the south, and from Independence on the east to Pulaski Road on the west and all the street corners in between including Jackson and Springfield, Springfield and Adams, Springfield and Wilcox, Springfield and Monroe, Springfield and Madison, Madison and Hamlin, Monroe and Hamlin, Hamlin and Wilcox, Adams and Hamlin, Jackson and Hamlin, Pulaski and Monroe, Pulaski and Wilcox and Pulaski and Adams. The idea of the Four Corner Hustlers was about one main thing, neighborhood protection, and that did not mean only protection for their members but for everyone that lived in this territory. There was indeed a time back in the year 1968 that two Vice Lord teenage boys had an idea of how to protect a certain area in the West Garfield Park neighborhood from invaders from outside the area that threatened the neighborhood with drug dealing, gangbanging and violence. Number 4, black diamond 1986-present, crescent moon, cane, top hat, gloves, playboy bunny 1978-present, “solid”Ī quote from the Chicago Tribune on August 19, 1994, sums it up best for the early history of the Four Corner Hustlers, “There was a time when the Four Corner Hustlers actually stood for four corners, representing a meager six square blocks on the West Side.” (Papajohn, Chicago Tribune Aug 19, 1994). Black and brown 1968-1978 Black and gold 1978-present Black and red 1978-presentīlack Diamond, Crescent Moon, Cane, Top Hat, Gloves, and Playboy Bunny Our tests showed up to an 18% improvement in `sustained bandwidth under SLA constraints` compared to a maximum of 7% on x86-64 systems (Intel Ice Lake and AMD EPYC) for the same. Optimizing Workloads for Enhanced Performanceįor workloads such as SPECjbb2015, workload-specific tuning can lead to significant performance improvements on Azure D-series v5 Arm VMs using Microsoft's Build of OpenJDK. As a result, users of Azure D-series v5 Arm VMs should invest time in JVM command line tuning to ensure they achieve the best possible performance for their Java-based workloads. The JVM and the JDK have been extensively optimized for x86-64 systems over the years, and only recently have efforts been made to provide tuned out-of-the-box defaults for Arm64 processors. The need for additional tuning on Arm VMs can be attributed to the relatively recent introduction of Arm64 processors in the server market, a topic we touched upon in our previous blog ` Scaling Azure Arm64 VMs with Microsoft’s Build of OpenJDK: A Performance Testing Journey`. Arm processors require different sizing and prefetching defaults compared to x86-64 (Intel Ice Lake and AMD EPYC), so paying attention to these settings when optimizing performance on Arm64 architectures is crucial. Our comparison of SPECJBB2015 baseline (with just the heap and nursery sizes and no adaptive sizing) to tuned JVM-command line scores indicated that up to 7.5% performance improvement can be achieved through JVM command line tuning when using Microsoft's Build of OpenJDK on Azure D-series v5 Arm VMs. Improved Performance with JVM Command Line Tuning This follow-up blog will focus on our observations and conclusions from the testing process, analyzing how Arm64 and x86-64 VMs performed under these configurations. We recommend referring to it, especially the `Test Details` and the `JVM-specific tuning` sections, for a deeper understanding of the approach. This methodology, as well as the testing configuration and benchmarking environment, is detailed in the first part of this series. The performance testing of Ampere Altra, Intel Ice Lake, and AMD EPYC VMs with Microsoft’s Build of OpenJDK was carried out using a robust methodology that includes standardized scripts, tuned runs, JVM-specific tuning, and industry benchmarks, all designed to effectively drive load on the JVM and maximize the utilization of available CPU and memory for each configuration. This blog post will discuss key insights and recommendations from this process. This similarity in behavior is evident when using benchmarks like SPECJBB2015 for capacity planning, as these benchmarks scale similarly on similar ISAs. Hence, we talk about them in a group versus Arm64 VM. We found that Azure D-series v5 x86-64-based VMs, including Intel Ice Lake and AMD EPYC, behaved similarly. This benchmark enabled us to drive sustained bandwidth and critical throughput (under SLA constraints) at each scale (2 to 64 cores), leading to optimizations of certain JVM features for Azure VMs. We aimed to leverage the full potential of these VMs running Java-based workloads on Microsoft's Build of OpenJDK JDK 17, utilizing the SPECjbb2015 benchmark as a capacity planning tool. Continuing from our first blog, ` Scaling Azure Arm64 VMs with Microsoft’s Build of OpenJDK: A Performance Testing Journey`, the Java Engineering Group (JEG) at Microsoft recently extended its analysis to Azure D-series v5 ( general purpose) Ampere Altra, AMD EPYC, and Intel Ice Lake VMs. In today's competitive environment, optimizing the performance of virtual machines (VMs) for various workloads is crucial. |
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